Post by sandawa on Jun 7, 2005 21:12:13 GMT 7
Back in the '80s, Dual of Germany was a major turntable brand that fought Japanese imports in Europe and the US. While Thorens was more of German high-end brand, Dual was for mass to middle-end markets. It was a leader in technology, however, and was often credited with its much improved gimbal suspension system adopted by many brands as well as the ultra low mass straight tonearm. Such cartridge brands as Shure and Ortofon even built specialized cartridges for Dual turntables back then.
Dual survived the '80s when its contemporaries such as BSR and Garrard (UK), and Lenco (Switzerland) eventually closed shop. The story goes that Dual and Rega finally recovered the European market from Japanese domination with the Dual 5000 and a comparable Rega model. With the popularity of the CD, Dual went under and later bought by another German firm, then partnered with Ortofon, a Danish brand, for worldwide marketing.
In the Philippines, Duals were highly sought-after among audio enthusiasts in the '80s compared with Japanese brands. I sold something like close to a dozen Dual units of different models when I tried weekend audio trading in Diliman back then. It was generally used as second unit to a Linn, a Thorens, a Revox, a Rega, or an AR among Manila's audiophiles. If you look closely inside each unit, Dual's mechanism would be comparatively easy to repair.
This thread is for this turntable brand which is still quite popular in other audio websites. Dual remains alive in Audio Karma and has the biggest collection of photos in Vinyl Engine's gallery. Outside of Vinyl Engine photos, a Dual collector's website is also a good info source for the brand's turntable models: hometown.aol.de/alflanger/
I have two Dual models, 1219 and 621, still working. The 1219, made in late '60s a few years after the 1019 (contemporary of Thorens 124 - sold mine a long time ago) was once mentioned as the first truly hi-fi changer. My unit came from an Australian who served as member of the ADB board in mid-80s. I'm posting photos of my 1219 in the meantime, and the 621 later.
front - the European look remains unmatched even by some new production decks. it was said that the 1219's original wood came from Germany's Black Forest.
diagonal view - the tonearm is straight and in the '80s turned into a thin low-mass type with Ortofon special cartridge that could accurately track warped records with as low as 0.5 gram tracking force.
the gimbal suspension system is described as a Teutonic engineering marvel. the entire system could be raised when used as changer (with the tall spindle that could hold several records)
Dual survived the '80s when its contemporaries such as BSR and Garrard (UK), and Lenco (Switzerland) eventually closed shop. The story goes that Dual and Rega finally recovered the European market from Japanese domination with the Dual 5000 and a comparable Rega model. With the popularity of the CD, Dual went under and later bought by another German firm, then partnered with Ortofon, a Danish brand, for worldwide marketing.
In the Philippines, Duals were highly sought-after among audio enthusiasts in the '80s compared with Japanese brands. I sold something like close to a dozen Dual units of different models when I tried weekend audio trading in Diliman back then. It was generally used as second unit to a Linn, a Thorens, a Revox, a Rega, or an AR among Manila's audiophiles. If you look closely inside each unit, Dual's mechanism would be comparatively easy to repair.
This thread is for this turntable brand which is still quite popular in other audio websites. Dual remains alive in Audio Karma and has the biggest collection of photos in Vinyl Engine's gallery. Outside of Vinyl Engine photos, a Dual collector's website is also a good info source for the brand's turntable models: hometown.aol.de/alflanger/
I have two Dual models, 1219 and 621, still working. The 1219, made in late '60s a few years after the 1019 (contemporary of Thorens 124 - sold mine a long time ago) was once mentioned as the first truly hi-fi changer. My unit came from an Australian who served as member of the ADB board in mid-80s. I'm posting photos of my 1219 in the meantime, and the 621 later.
front - the European look remains unmatched even by some new production decks. it was said that the 1219's original wood came from Germany's Black Forest.
diagonal view - the tonearm is straight and in the '80s turned into a thin low-mass type with Ortofon special cartridge that could accurately track warped records with as low as 0.5 gram tracking force.
the gimbal suspension system is described as a Teutonic engineering marvel. the entire system could be raised when used as changer (with the tall spindle that could hold several records)